Taming
of the Shrew Acts Four and Five - "... But that our soft conditions and our hearts should well agree with our external parts?"
I don’t think anyone would like to fall in the mud, have your partner
fly into a rage, lose your means of transportation and then arrive at a house
in the middle of nowhere – all on your honeymoon. Of course, in good drama
tradition, we only hear about this as it happens off stage. You would be hungry
and tired by this time and in the story Petruchio even refuses to allow
Katherine to eat as he claims the meal (which arrives quicker than a McDonald’s
Happy Meal) at his country house is substandard. He does state that he is
killing Katherine with kindness. Well that is truly cruel love. All Petruchio’s
actions are meant to grind down Katherine. He even will deprive Katherine of
sleep since all these antics he claims are the only way to “curb her mad and
headstrong humour”.
And yet, given Kate’s obvious intelligence, it is remarkable that she
does not see through Petruchio’s facade or at least call his bluff. It is the
attraction between them despite Petruchio’s being a bastard that is comic in
these scenes. The question does remain why a strong independent woman like
Katherine doesn’t protest more. Perhaps Shakespeare is commenting on the way
that a husband and the ‘role’ of a wife can stifle an independent spirit. Katherine’s
actions and motivations do change so perhaps, the notion that marriage changes
people is also important here.
Meanwhile, Bianca is still being wooed back in Mantua. This may seem a
weak part of the plot but it provides the perfect contrast to Petruchio and
Katherine’s relationship since Bianca and Lucentio are delusional lovers with
no idea what married life is really like. They represent Romantic love and
Lucentio will get a rude shock at the end of the play when she disobeys him.
The two plots come back together, Petruchio and Katherine come back to
Mantua, meeting Vincentio (the real life father of Lucentio) on his way to
visit his son. Petruchio tells Vincentio of Lucentio’s marriage to Bianca and
further Katherine’s control but having her agree with him at every turn.
Katherine seems to be ‘tamed’ and Lucentio and Tranio’s schemes are revealed.
Katherine and Petruchio seem to genuinely be in love. She agrees to kiss him in
the street, calls him “love” and he calls her “sweet Kate”.
Now
comes the crucial end of the play Act V Scene 2. Katherine’s speech at the end
of the play has always seemed contentious, perhaps this was even so in
Shakespeare’s time and maybe that is the point. Katherine is the difficult
woman who seemed too challenging for most, yet she and Petruchio find love and
do know what is in store for them. The other lovers have been deluded and while
the men are surprised that Katherine comes when Petruchio asks and voices (or
‘parrots’) the words he wants to hear about the role of a wife, they seem more
shocked and perturbed by the way their own women do not come to them when
asked. Reality has hit them, whereas Petruchio and Katherine have no illusion
and can play the social games expected of them but enter into a genuine
relationship with no illusions. Lucentio and Hortensio probably will have
unhappy marriages because they are deluded by what love in marriage is. Hell,
if they are put off by a little disobedience from their wives at the wedding
reception, they don’t seem flexible enough to last the distance.
We
have to remember also that Shakespeare is a man and ultimately he can only
speculate from a man’s perspective. Katherine seems to see that happiness and
independence can be found within the roles and relationships we are given and
perhaps this is the message Shakespeare has for his primarily male audience and
for himself as a man and breadwinner in London with a wife and family in
Stratford-upon-Avon.
Henry
VI Part 2 next. This was performed first so I guess it will feel a bit like the
‘Star Wars’ experience going forward in the story and then going back to Episode
1 for the cool backstory, political intrigue and special effects.
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