The
Winter’s Tale Act Three – “I am gone forever [Exit, pursued by a
bear].”
“[Exit, pursued by a bear]” is one of the most famous and
strangest stage directions ever given. It indicates the spectacle that
Shakespeare and play makers had to bring to theatre when competing against the
new masque balls and the spectacle of painted scenery which indoor theatres
were starting to bring to English theatre. An interesting thing to note is that Shakespeare's direction may have been even stranger than we may even think.
Most people think that Shakespeare probably got a bear from the bear baiting pits close to the Globe Theatre to act as the spectacle for this scene but the truth may have been even stranger. In 1595, the Dutch explorer William Barents reportedly lost two men in the Arctic to a polar bear attack. Shakespeare would have read of these attacks in de Veer's diary account of this expedition published in English in 1609. Then in 1609, Jonas Poole's expedition to find the North-west passage captured to polar bear cubs on Cherie island and these cubs were transported back to England. By the end of 1610, these two polar bears had ended up in King james I's private zoo and early in 1611, these cubs had been leased out to Philip Henslow and Edward Alleyn. It is likely that these same two white polar bears appeared in plays like Ben Jonson's 'Oberon' and Shakespeare's 'The Winter's Tale'. By 1612, it is alleged that the two polar bears had died. So at least for some performances, Shakespeare's stage direction could have read "[Exit. Pursued by a a white bear.]"
Some say that plays like ‘The Winter’s Tale’ may have themselves been controversial in the underpinnings of their subject matter. Parallels could be drawn between Leontes and King Henry VIII and his accusations of infidelity against Anne Boleyn. History, or at least popular consciousness has labeled Anne Bolelyn to not be true but that Elizabeth I was in fact Henry’s child. It is a bit sad that today, a simple paternity test would solve an issue that plagued English political life and the winds of gossip for almost half a century. What is interesting to note in this act is that we as an audience instantly label Leontes guilty of false jealousy and see him as a tyrant. We also believe that Hermione is dead when we hear this dreadful news.
Most people think that Shakespeare probably got a bear from the bear baiting pits close to the Globe Theatre to act as the spectacle for this scene but the truth may have been even stranger. In 1595, the Dutch explorer William Barents reportedly lost two men in the Arctic to a polar bear attack. Shakespeare would have read of these attacks in de Veer's diary account of this expedition published in English in 1609. Then in 1609, Jonas Poole's expedition to find the North-west passage captured to polar bear cubs on Cherie island and these cubs were transported back to England. By the end of 1610, these two polar bears had ended up in King james I's private zoo and early in 1611, these cubs had been leased out to Philip Henslow and Edward Alleyn. It is likely that these same two white polar bears appeared in plays like Ben Jonson's 'Oberon' and Shakespeare's 'The Winter's Tale'. By 1612, it is alleged that the two polar bears had died. So at least for some performances, Shakespeare's stage direction could have read "[Exit. Pursued by a a white bear.]"
Some say that plays like ‘The Winter’s Tale’ may have themselves been controversial in the underpinnings of their subject matter. Parallels could be drawn between Leontes and King Henry VIII and his accusations of infidelity against Anne Boleyn. History, or at least popular consciousness has labeled Anne Bolelyn to not be true but that Elizabeth I was in fact Henry’s child. It is a bit sad that today, a simple paternity test would solve an issue that plagued English political life and the winds of gossip for almost half a century. What is interesting to note in this act is that we as an audience instantly label Leontes guilty of false jealousy and see him as a tyrant. We also believe that Hermione is dead when we hear this dreadful news.
Act Three begins with Dion and Cleomenes arriving back from
visiting the oracle at Delphi. They obviously were quite taken back by Delphi
and hope the Oracle will clear Hermione’s name:
“The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears…
Great Apollo
Turn all to the best! These proclamations,
So forcing faults upon Hermione,
I little like.”
Then we cross to Leontes who has appointed himself as court, judge
and jury over the trial of Hermione who is brought from gaol. The indictment us
read out aloud and Hermione stands and answers her accusations, eloquently
denying all of the charges and reasserting her integrity:
“Since
what I am to say must be but that
Which
contradicts my accusation and
The
testimony on my part no other
But
what comes from myself, it shall scarce boot me
To say
'not guilty:' mine integrity
Being
counted falsehood, shall, as I express it,
Be so
received. But thus: if powers divine
Behold
our human actions, as they do,
I
doubt not then but innocence shall make
False
accusation blush and tyranny
Tremble
at patience. You, my lord, best know,
Who
least will seem to do so, my past life
Hath
been as continent, as chaste, as true,
As I
am now unhappy; which is more
Than
history can pattern, though devised
And
play'd to take spectators. For behold me
A
fellow of the royal bed, which owe
A
moiety of the throne a great king's daughter,
The
mother to a hopeful prince, here standing
To
prate and talk for life and honour 'fore
Who
please to come and hear. For life, I prize it
As I
weigh grief, which I would spare: for honour,
'Tis a
derivative from me to mine,
And
only that I stand for. I appeal
To
your own conscience, sir, before Polixenes
Came
to your court, how I was in your grace,
How
merited to be so; since he came,
With
what encounter so uncurrent I
Have
strain'd to appear thus: if one jot beyond
The
bound of honour, or in act or will
That
way inclining, harden'd be the hearts
Of all
that hear me, and my near'st of kin
Cry
fie upon my grave!”
Leontes disregards her words and judges that she is guilty and
pronounces sentence of death. Hermione laughs at this and declares that death
would be a welcome relief.
Then Dion and Cleomenes arrive with the message from the Oracle at
Delphi which is unsealed and revealed to state: "Hermione is chaste…
Polixenes blameless, Camillo a true subject, Leontes a jealous tyrant, his
innocent babe truly begotten, and the king shall live without an heir if that
which is lost be not found.” For a moment, nearly all in the court are happy and
relieved, but then the tide of contentment turns when leontes refuses to accept
the Oracle’s judgment. Then a servant enters to announce the death of Hermione
and Leontes’ son Mamillius. Leontes realizes his own wrongs and the injustice
of his actions and sees the death of his son as Apollo’s punishment. Hermione
swoons and leontes orders her to be seen to and taken out and he contemplates
the wrongs of all his thoughts and actions:
“Apollo's angry; and the heavens themselves
Do strike at my injustice…
[HERMIONE swoons]
Take her hence:
Her heart is but o'ercharged; she will recover:
I have too much believed mine own suspicion:
Beseech you, tenderly apply to her
Some remedies for life. [Exeunt PAULINA and Ladies, with HERMIONE]
Apollo, pardon
My great profaneness 'gainst thine oracle!
I'll reconcile me to Polixenes,
New woo my queen, recall the good Camillo,
Whom I proclaim a man of truth, of mercy;
For, being transported by my jealousies
To bloody thoughts and to revenge, I chose
Camillo for the minister to poison
My friend Polixenes: which had been done,
But that the good mind of Camillo tardied
My swift command, though I with death and with
Reward did threaten and encourage him,
Not doing 't and being done: he, most humane
And fill'd with honour, to my kingly guest
Unclasp'd my practise, quit his fortunes here,
Which you knew great, and to the hazard
Of all encertainties himself commended,
No richer than his honour: how he glisters
Thorough my rust! and how his pity
Does
my deeds make the blacker!”
Paulina re-enters and Leontes and the audience are told that
Hermione too is dead and she throws angry accusation at Leontes who accepts
blame for all. He orders Hermione and his son Mamillius to be laid in the same grave and states
that he will spend the rest of his life doing penance and asking for forgiveness.
“Thou
canst not speak too much; I have deserved
All
tongues to talk their bitterest…
Thou
didst speak but well
When
most the truth; which I receive much better
Than
to be pitied of thee. Prithee, bring me
To the
dead bodies of my queen and son:
One
grave shall be for both: upon them shall
The causes
of their death appear, unto
Our
shame perpetual. Once a day I'll visit
The
chapel where they lie, and tears shed there
Shall
be my recreation: so long as nature
Will
bear up with this exercise, so long
I
daily vow to use it. Come and lead me
Unto
these sorrows.”
Meanwhile, oblivious to what has just happened in Sicilia,
Antigonus has arrived on the desert shores of Bohemia (which seems like
somewhere in Northern Africa) with the baby girl and he reveals to the audience
a dream he had where he was visited by Hermione who tells him to call the baby
Perdita and tells him that he will never see his homeland or wife again.
Antigonus places the baby Perdita down with a note with her name and puts gold
and jewels next to her for whoever finds her. As Antigonus goes to leave, a
storm starts to rise up, a bear appears and Antigonus is force to “[Exit,
pursued by a bear].
A Shepherd then enters the stage and discovers the baby. The
Shepherd’s son, a Clown joins him. The Clown describes how he just saw a man
killed by a bear and a ship sunk by the storm. The Shepherd sees these acts as “Heavy
matters”
and tells his son about the baby he found and then they discover the riches
left with the baby and decide that fortune has shone on them and they declare
they will raise the child.
“Heavy matters! heavy matters! but look thee here,
boy. Now bless thyself: thou mettest with things
dying, I with things newborn. Here's a sight for
thee; look thee, a bearing-cloth for a squire's
child! look thee here; take up, take up, boy;
open't. So, let's see: it was told me I should be
rich by the fairies. This is some changeling:
open't.
… This is fairy gold, boy, and 'twill prove so: up
with't, keep it close: home, home, the next way.
We are lucky, boy; and to be so still requires
nothing but secrecy. Let my sheep go: come, good
boy, the next way home.
…
'Tis
a lucky day, boy, and we'll do good deeds on't.”
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