Merry
Wives of Windsor Act 5 – “And
this deceit loses the name of craft, Of disobedience, or unduteous title…”
“And
this deceit loses the name of craft,
Of
disobedience, or unduteous title,
Since
therein she doth evitate and shun
A
thousand irreligious cursed hours,
Which
forced marriage would have brought upon her.”
‘Merry
Wives of Windsor’ has some of the shortest scenes of any Shakespeare play. This
helps to quicken the pace of Act 5 as well as add an almost absurd quality to
the lead up to the final plan to fool Flagstaff and help true love reign
supreme. What also needs to be remembered when reading the final act is that the play ultimately advocates fidelity and the message that parents should allow their daughters to make their own choices in marriage. This doesn't seem too radical but it has greater gravity when we realise Shakespeare was living away from his own wife and his own daughter was married around this time.
This act starts off at the infamous Garter Inn where Falstaff tells Mistress Quickly about his third and upcoming attempt to seduce Mistress Ford. Mistress Quickly leaves quickly (how else would she leave) and Ford (in the disguise of Brooke) arrives and asks how things are going with Falstaff and Mistress Ford. We must remember that one of the reasons that Falstaff is meeting with Mistress Ford is so that after seducing her, he can then make her more open to the advances and affections of Brooke (Ford in disguise) so that Ford can be well and truly cuckolded. As Falstaff tells Brooke the story of the previous meeting and the beating he got, his expresses his hope that the third meeting will bring them both Mistress Ford and bring Falstaff revenge against Ford:
This act starts off at the infamous Garter Inn where Falstaff tells Mistress Quickly about his third and upcoming attempt to seduce Mistress Ford. Mistress Quickly leaves quickly (how else would she leave) and Ford (in the disguise of Brooke) arrives and asks how things are going with Falstaff and Mistress Ford. We must remember that one of the reasons that Falstaff is meeting with Mistress Ford is so that after seducing her, he can then make her more open to the advances and affections of Brooke (Ford in disguise) so that Ford can be well and truly cuckolded. As Falstaff tells Brooke the story of the previous meeting and the beating he got, his expresses his hope that the third meeting will bring them both Mistress Ford and bring Falstaff revenge against Ford:
“That
same knave Ford, her husband…
beat
me grievously… Since I plucked geese,
played
truant and whipped top, I knew
not
what 'twas to be beaten till lately. Follow
me:
I'll tell you strange things of this knave
Ford,
on whom to-night I will be revenged, and I
will
deliver his wife into your hand…”
At
Windsor Park, preparations are being made for the humiliation of Falstaff and
the marriage/elopement of Anne Page. Page reminds Slender that he must remember
that his daughter will be wearing white in the deceitful drama. Mistress Ford
briefs Caius reminding him that he must look for Anne in the green garment so
he can elope with her at hiatus of the frenzy in the forest. We know that Anne
will be wearing neither and has her own ideas on who her husband should be. The
whole ensemble of children, scheming Windsor folk and impatient potential
lovers move out to Herne's Oak for their pageantry.
Herne
appears at Herne’s Oak (it is in fact Falstaff with large horns on his head).
It must be remembered that just a year before, this Shakespearean audience had
seen ‘A Midsummer’s Night’s Dream’ so they obviously enjoyed the idea of a man
running around with an animals head or horns on. The obvious sexual references
would have probably meant that the actor playing Falstaff would have received a
barrage of witty (and probably decidedly staid comments from the audience). It
would be nice to think the same actor played Falstaff who played Bottom.
Falstaff relates the stories of Gods who disguised themselves as animals to
seduce human women. Mistresses Ford and Mistress Page arrive and Falstaff is
delighted that his philandering hands might be able to work overtime. Just as
Falstaff is getting excited, a noise is heard and the women leave as quickly as
Mistress Quickly would, if she could. Supernatural creatures appear (well so
Falstaff thinks so but we know that it is Evans with the children and Mistress
Quickly and Anne Ford in disguise as fairies). They muster mock magic and
Falstaff in fear falls to the ground to hide himself.
In
the role of the Fairy Queen, Mistress Quickly waxes lyrically about the powers,
potions, flowers and jewels of the fairies before she says that she smells a
man and asks her fairy and creature followers to burn him. The tapers are a
nice touch and the children then encircle Falstaff and, wait for it, pinch him.
At the height of the pinching frenzy, Caius sneaks off with a someone wearing
white who he thinks is Anne Ford, and Slender slithers away with someone in
green who he thinks is Anne Ford. We see Fenton and Anne, colour blind with
love, steal away to be married in secret.
The
magical creatures, children in disguise, run away and just as Falstaff gets up,
Ford and Mistress Ford, Page and Mistress Page appear. Falstaff is caught in
the act of trying to cuckold both Ford and Page. Ford also reveals that he knew
most of the plan because he was, in fact, disguised as Brooke for some of this
deception. Falstaff will also lose his horses because of the money Brooke lent
him. Falstaff realizes that he is not a stallion but an ass. Ford is told by
Evans to trust his wife more. Falstaff is chastised by Mistress Page for
thinking that a woman would think of giving up her honour and fidelity so
easily. Falstaff is told he will have debts to pay in Windsor.
From
the sublime to the absurd. Slender enters and declares that he was shocked to
discover that he had eloped with a boy and not Anne, and then Caius enters and
announces that he accidentally got married to a boy. Everyone wonders who got
Anne when the newly weds Fenton and Anne enter. The Ford’s are chastised for
not letting their daughter marry the man she loves. So, as they prepare for the
feast, Man gets the woman he loves, even if it is really a boy in a dress.
Next: Shakespeare returns in 'Henry IV Part 2'
Next: Shakespeare returns in 'Henry IV Part 2'
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